Descriptive Text Mona Lisa
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Mona Lisa
Portrait of Mona Lisa (1479-1528), also
known as La Gioconda, the wife of Francesco del Giocondo; 1503-06 (150
Kb); Oil on wood, 77 x 53 cm (30 x 20 7/8 in); Musee du Louvre, Paris
This figure of a woman, dressed in the
Florentine fashion of her day and seated in a visionary, mountainous
landscape, is a remarkable instance of Leonardo’s sfumato technique of
soft, heavily shaded modeling. The Mona Lisa’s enigmatic expression,
which seems both alluring and aloof, has given the portrait universal
fame.
Reams have been written about this small
masterpiece by Leonardo, and the gentle woman who is its subject has
been adapted in turn as an aesthetic, philosophical and advertising
symbol, entering eventually into the irreverent parodies of the Dada and
Surrealist artists. The history of the panel has been much discussed,
although it remains in part uncertain. According to Vasari, the subject
is a young Florentine woman, Monna (or Mona) Lisa, who in 1495 married
the well-known figure, Francesco del Giocondo, and thus came to be known
as “La Gioconda”. The work should probably be dated during Leonardo’s
second Florentine period, that is between 1503 and 1505. Leonardo
himself loved the portrait, so much so that he always carried it with
him until eventually in France it was sold to François I, either by
Leonardo or by Melzi.
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